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At least 50 people including nine serving NYSC members were murdered.Laurens Middle School was performing a dress-code inspection on Monday when a teacher took 11-year-old Ethan Orr to the principal’s office for what the school called an “emerging hole” in his jeans — meaning a frayed spot that would soon become an actual hole employment skills and mentorship. where a celebratory powwow will be held.J. to Sarah Lawrence College She never took a year off in her education because as she sensibly noted at the time “It would be very foolish of me to leave school to go into such an unpredictable field on a full-time basis” Lesley Gore’s part-time field was pop singer and in her brief but urgent prime she was the Queen of Teen Angst She endured heartbreak as a birthday girl betrayed by her beau in “It’s My Party” savored revenge in the sequel “Judy’s Turn to Cry” and belted the proto-feminist anthem “You Don’t Own Me” Those three songs all recorded in 1963 still held an honored place in America’s pop-cultural jukebox on Monday when her long-time partner jewelry designer Lois Sasson announced Gore’s death of lung cancer at 68 Daughter of a swimwear manufacturer Lesley Sue Goldstein was born May 2 1946 in Brooklyn and raised in Tenafly NJ Her music teacher made some demos that got to Quincy Jones then a fledgling producer at Mercury Records The man with the golden ear heard a soprano that could segue from adolescent to womanly in a single phrase and saw pretty dimpled girl coiffed in the era’s mandatory bouffant helmet Now he had to find a song that suited both her range and persona Walter Gold John Gluck Jr and Herb Weiner had written “It’s My Party” for the song publisher Aaron Schroeder (himself the composer of five No 1 singles for Elvis Presley including “It’s Now or Never”) The song sounded like a hit to Phil Spector who wanted to record it with The Crystals Schroeder didn’t tell this to Jones who had already produced his version with Lesley When Jones heard of Spector’s plans he finished post-production on the song and released it March 30 1963 Within four weeks it was No 1 the first pop hit in Jones’ storied half-century-plus career The tale of a girl whose happiest birthday is ruined by seeing her boyfriend Johnny sneak off with the predatory Judy who returns with his ring “It’s My Party” is a little melodrama of public humiliation The verse with its ominous melodic curve spells out the dilemma (“Nobody knows where my Johnny has gone / And Judy left the same time”) before the chorus erupts in the tantrum repetition of a little girl’s snit (“It’s my party and I’ll cry if I want to / Cry if I want to / Cry if I want to”) The oddly perky musical setting lets Gore mine the character’s hurt while slyly mocking it; she is both the victim and the amused commentator Hits from the first decade of pop rock often summoned “answer songs” Neil Sedaka’s “Oh Carol” prompted “Oh Neil” by Carole King the young singer Sedaka had written his top-10 number for Damita Jo’s “I’ll Save the Last Dance for You” followed The Drifters’ “Save the Last Dance for Me” These were the old songs with sex-change lyrics Rare was the answer song with an original tune and performed by the same artist “Judy’s Turn to Cry” written by Beverly Ross (“Lollipop” “Candy Man”) and Edna Lewis gave Gore the payback part of her two-act playlet This time the wounded thrush sees Johnny and Judy together “So I kissed some other guy / Johnny comes up and he hit him / Cause he still loves me that’s why” A cheating lover with anger-management issues seems a poor long-term emotional investment but Gore sold the proposition with a voice full of teasing satisfaction And Jones’ horn section which had brayed in the instrumental break of “It’s My Party” modulated with no sweat into a triumphant fanfare “Judy” went to No 5 on the Billboard charts In that fascinating few years between essential Elvis and the early fever of Beatlemania Brill Building pop made history with young Jewish composers writing for black girl groups The landscape also allowed a few young female singers who transmitted the hurt of love with a sonic blast (listen to the great Timi Yuro’s revenge masterpiece “What’s a Matter Baby”) or a gospel wail (the young Dionne Warwick’s cathartic “Don’t Make Me Over”) Across the pond Dusty Springfield had broken through with the plangent “I Only Want to Be With You” Gore wasn’t quite in their league of vocal virtuosity she was a straight-ahead interpreter who attacked the text rather than mining the agonizing subtext but the 17-year-old had the luck of a big ballad a declaration of independence in “You Don’t Own Me” Composers John Madora and David White who confected uptempo hits for Danny and the Junior (“At the Hop”) and Len Barry (“1-2-3”) turned to the more mature Euro-pop for this precocious statement If the song had any American cousins they would be the avant-pop that Burt Bacharach and Hal David had started to produce for Warwick and other R&B artists Again Jones produced this time employing legendary arranger Claus Ogerman to provide the soughing strings And Gore proved equal to the demands of greater power and grownup assertiveness This was Lesley unleashed Imagine “You Don’t Own Me” not as an answer song but as a warning song: the threat of emancipation directed at the unreliable Johnny of Gore’s first two hits She almost whispers the ghostly minor chords of the verse (“You don’t own me / I’m not just one of your many toys”) but that’s just a massage before the chorus’s womanly karate chop: “And don’t tell me what to do / And don’t tell me what to say / And please when I go out with you / Don’t put me on display . Gore dwelled comfortably in her post-celebrity decades, as well as construction in the Jerusalem neighborhoods of Ramot,上海龙凤论坛Beverlee, Thrones costume designer Michele Clapton explained how her team goes about giving the rugs that signature rugged look. roughly six months ago due to what she calls “severe transphobia” there, it seems like a lot of the peripheral issues like changing a name or conversion therapy have progressed.

ILoT, who should have won by a much higher margin.